- #Custom page size in bookwright how to
- #Custom page size in bookwright pdf
- #Custom page size in bookwright full
- #Custom page size in bookwright software
- #Custom page size in bookwright Pc
#Custom page size in bookwright Pc
Now create a custom paper size on your PC which is exactly the same size as your book cover shown in the “Cover Specifications” list item 1. You can consider it as three columns: the back cover on the left, the (relatively thin) spine in the middle and the front cover on the right. Note that the spine size depends on the number of pages, so the exact width of the cover will vary slightly depending on how many pages you have in your book. This will “Wrap around” your books pages. Note that the document we are producing contains the whole of the cover, ie the back, the spine and the front. Final, exported PDF/X3 should measure (w x h).Record the following values from the lower “Cover Specifications” items:
#Custom page size in bookwright pdf
This time, enter the actual number of pages in your book PDF and Click “Get Measurements”. Choose your cover type, the paper type and Unit of measure (use inches or centimetres). Then click on the “Specifications” tab below. As I stated in Part 1 I have chosen the “Pocket 8*5 inches” size. Click it and choose the format size of your book. On that page is a big orange button labelled “Get Specs”. To do this we need to go back to the Blurb web site again and revisit the book specifications pages. Log in and choose “PDF to Book” from the Apps Menu. Once you’ve produced the book’s contents as a PDF and you know how many pages it contains, you can produce your Cover PDF.
#Custom page size in bookwright how to
The second part describes how to prepare your book’s internal pages in a suitable PDF file for uploading.
#Custom page size in bookwright software
The first part describes the trials and tribulations I had with Blurb’s standard software and why I had to use the “PDF to Book” approach. Plus, it’s a great ice-breaker when I’m meeting with a new local client.This is part 3 of a series of posts on publishing a book on Blurb via “PDF to Book” using relatively cheap software on Windows. It represents the best of my work for a given year, and it allows me to chart my growth as an artist. So why do I like making portfolio books? Mostly because it’s a curated “thing” that I can hold in my hands. Here are a few photos showing the interior of the book. Blurb does a terrific job with packaging, enclosing the book within shrink wrap, with outside protection via a firm cardboard shell. I’m really pleased with the print quality. From start to finish, the entire process of making my book was painless. It took approximately 12 days to receive the book after submitting the electronic files to Blurb’s server.īlurb offers several methods of submitting files I opted to use their new BookWright software to assemble and organize my portfolio book. The book costed me about $60 after discounts. I make every effort to keep the page count between 30 to 40 pages maximum.Įarlier this afternoon, my 2014 portfolio book arrived from Blurb. I’ve gone with the 11″ x 13″ hardcover option with semi-glossy premium paper. I find that having page constraints is a wonderful thing, because it forces me to make editorial decisions on layout and size, what work stays in the book, and what gets tossed onto the cutting floor.įor the past two years, I’ve been using for my portfolio books.
#Custom page size in bookwright full
Making images full bleed is a conscious decision on my part, to give the viewer a more immersive experience. A large portfolio book (11″ x 13″) gives my work room to breathe and allows the details to show through. Size-wise, I prefer big portfolio books – setting my artwork at full bleed whenever possible.
Those constraints include the size of the book and the page count. Organizing work within a print portfolio involves careful curation and planning, and adhering to specific constraints. Printing a book represents a formal commitment (both money and time).
I like making portfolio books because it’s permanent, in that once it’s finally printed, the work within it stands as is. Seeing clients interacting physically with my work helps me build value and credibility in both myself and the services that I offer. I use my portfolio book as an ice-breaker tool when meeting with new clients. (Print on demand books generally take anywhere from a week to 15 days to process.) But when it’s all done, my portfolio book is a thing I can hold in my hands, carefully scrutinize and share with a client or colleague. Unlike posting work on the web, there is no instant gratification when making a portfolio book. Although I share my work on various social networks (and this portfolio site), seeing my illustrations in the tangible form of a book makes my work feel more “real” to me.Įvery element of making a portfolio book requires careful and meticulous detail. These days, the bulk of my work is done entirely on the computer. I’m not here to debate the merits of whether creating a print portfolio makes sense for design professionals, but I do know one thing: I enjoy making them.